Karuppu Review: Interesting Fantasy Concept Gets Buried Under Excessive Hero Worship
Karuppu is both a feature-length film that has strong commercial potential and an ambitious project that blends fantasy, courtroom drama, and mass-action elements together in a manner unlike anything Balaji has done before . Like many of his early films (e.g., LKG, Mookuthi Amman), Balaji attempts again to combine satire with mainstream entertainment. However, in this instance, he collaborates with Suriya to create a larger-than-life film that deals with the issue of justice using the premise of a supernatural power.
In the beginning of this film, viewers will be reminded of all the great things about it as it begins and will be pleasantly surprised at how good this film turned out. By this point in the film, there will have been numerous events occurring in rapid succession, causing the film to lose its original intent and to be less enjoyable and valuable to the viewer than previously. But this, there is still plenty of entertainment to be gained from watching the movie as a result of having an amazing performance by Suriya and excellent cinematography.
Plot Summary
The film introduces viewers to Baby Kannan, a corrupt lawyer who exploits the legal system by using a corrupt judge for his own gain. There are many individuals who fit this description that seek justice through corrupt attorneys or judges and end up falling prey to their greed and corruption. One such family is a father and daughter from Kerala who have been robbed of their gold by law enforcement agencies (the police) and desperately want to retrieve their gold. These two families enter into one of many transparent (clear) systems of corruption and dishonesty (no one knows what his own legal obligation is because of the pervasive nature of corruption), which allows a "Mysterious Force," who has been sent from Heaven to punish the guilty and restore justice, into "the system."