Jailer Movie Review: Rajinikanth Guided By Nelson Stages A Riveting Return That Succeeds, Capturing Attention
The film unveils a restrained Rajinikanth in the initial segments, later escalating into a formidable force, making the interval sequence particularly captivating.
"Jailer" presents Superstar Rajinikanth in a robust role, marking a return to form after a hiatus. Rajinikanth's portrayal as Muthuvel Pandian is skillfully crafted by director Nelson Dilipkumar. The film unveils a restrained Rajinikanth in the initial segments, later escalating into a formidable force, making the interval sequence particularly captivating.
Anirudh Ravichander's musical prowess, particularly in the background score, complements Rajinikanth's performance impeccably. Songs like "Hukum" and the interval piece are elevated by Anirudh's pulsating compositions. Comedic elements are effectively woven into the narrative, with Rajinikanth's comic timing showcased aptly alongside Yogi Babu.
However, the film grapples with a frail plot, leading to a lackluster second half. The movie's first hour thrives on Rajinikanth's charisma and humor, but the director falters in sustaining the momentum in the latter part. Attempts to infuse humor during action sequences bear fruit in the film's early stages.
Unfortunately, the portrayal of Sunil's character and the involvement of Tamannaah appear redundant. The action sequences, given the weak story, fail to deliver the anticipated adrenaline surge. Emotional engagement is limited, and the eventual plot twist falls flat.
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Jailer's runtime proves excessive, with drawn-out sequences dampening the viewing experience in the latter half. The much-anticipated guest appearances by Shiv Rajkumar and Mohanlal fail to create a significant impact, while Jackie Shroff's role feels underutilized.
Anirudh's exceptional background score and Rajinikanth's commanding performance invigorate Jailer's first half. Regrettably, the film's weak plot and faltering script undermine its potential, resulting in a less-than-satisfying second half. Director Nelson Dilipkumar's focus on Rajinikanth's portrayal is evident, yet a more substantial script could have yielded a superior outcome.
In conclusion, Jailer offers a partially engaging action drama, carried largely by Rajinikanth's presence and style. The film boasts a compelling first half, but succumbs to its frail plot in the second, ultimately rendering it a passable watch. Expectations are best kept in check for a more balanced viewing experience.
